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	<title>Comments on: süßer duft</title>
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	<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/</link>
	<description>la petite americaine</description>
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		<title>By: Anon</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9498</link>
		<dc:creator>Anon</dc:creator>
		<pubDate>Sun, 20 Apr 2008 13:12:51 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9498</guid>
		<description>lulz</description>
		<content:encoded><![CDATA[<p>lulz</p>
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	<item>
		<title>By: Sarah</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9495</link>
		<dc:creator>Sarah</dc:creator>
		<pubDate>Sat, 19 Apr 2008 02:07:57 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9495</guid>
		<description>I would probably be running in the other direction. That&#039;s scary!!</description>
		<content:encoded><![CDATA[<p>I would probably be running in the other direction. That&#8217;s scary!!</p>
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		<title>By: lapetiteamericaine</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9493</link>
		<dc:creator>lapetiteamericaine</dc:creator>
		<pubDate>Fri, 18 Apr 2008 19:01:30 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9493</guid>
		<description>What was the point?  You know, Lauren, I&#039;m generally hesitant to try to explain any piece of art in absolute terms, as if there&#039;s &quot;one right&quot; way to interpret it...  I&#039;d rather leave things a little open ended and let people draw their own conclusions, because for any given piece, everyone&#039;s going to bring their own impressions to it.  That said, I think there were many interesting concepts at play in this piece/set of pieces.  
.
Most obviously, I think the &quot;point&quot; as you say, was to upset the norms and expectations of the museum-going experience.  I, for example, have an almost ritualistic approach to most exhibits I see: I walk through three times, once going quickly, to get an overall sense of the scale of the show and make note of any works I want to save time/energy for, then once moving slowly, examining each work on its own, reading all the material available.  Then I usually sit down for a while and collect my thoughts, make a few notes, and pick out my favorite pieces.  Then I&#039;ll walk through one last time to see if there&#039;s anything I missed, and revisit some pieces in the light of others.  At this show, none of that was possible -- there was nothing to read, no where to sit, no specific &quot;works&quot; to examine and consider.  Instead of being a static, observational experience, it was dynamic, demanding participation in order to make any sense at all.  It was also a lot more visceral than intellectual, which is always something I approve of in art.    
.
The demand that you move through the exhibit alone was also an interesting, disruptive technique, that wound up collapsing the usual sense of public vs private spaces -- normally, in museums, you can either discuss what you&#039;re seeing with whoever your with, or at least eavesdrop on other conversations, watch people&#039;s expressions and body language to get tips about how you should be reacting.  In this exhibit, you&#039;re completely dependent on your own impressions, which for me turned out to be a bit unnerving.  When you see something alone, how can you ever be sure of what you&#039;ve really seen?
.
Beyond that, I know the artist had some points to make about &quot;passive torture&quot; -- about how simply being alone in a room, deprived of normal sensory experience can be in itself maddening.  I wouldn&#039;t have made the connection myself, but the booklet they hand out mentions that a couple of the spaces were modeled after rooms at Guantanamo Bay.  To me, the artist&#039;s use of space to create that feeling of tension and claustrophobia had a lot more impact than if he had simply told us to peer into a cell and posted a note saying, &quot;this is what guantanamo bay is like.&quot;  
.
There are a few other &quot;points&quot; I could make, if you&#039;re interested, but I think I&#039;m running the risk of over-explicating.</description>
		<content:encoded><![CDATA[<p>What was the point?  You know, Lauren, I&#8217;m generally hesitant to try to explain any piece of art in absolute terms, as if there&#8217;s &#8220;one right&#8221; way to interpret it&#8230;  I&#8217;d rather leave things a little open ended and let people draw their own conclusions, because for any given piece, everyone&#8217;s going to bring their own impressions to it.  That said, I think there were many interesting concepts at play in this piece/set of pieces.<br />
.<br />
Most obviously, I think the &#8220;point&#8221; as you say, was to upset the norms and expectations of the museum-going experience.  I, for example, have an almost ritualistic approach to most exhibits I see: I walk through three times, once going quickly, to get an overall sense of the scale of the show and make note of any works I want to save time/energy for, then once moving slowly, examining each work on its own, reading all the material available.  Then I usually sit down for a while and collect my thoughts, make a few notes, and pick out my favorite pieces.  Then I&#8217;ll walk through one last time to see if there&#8217;s anything I missed, and revisit some pieces in the light of others.  At this show, none of that was possible &#8212; there was nothing to read, no where to sit, no specific &#8220;works&#8221; to examine and consider.  Instead of being a static, observational experience, it was dynamic, demanding participation in order to make any sense at all.  It was also a lot more visceral than intellectual, which is always something I approve of in art.<br />
.<br />
The demand that you move through the exhibit alone was also an interesting, disruptive technique, that wound up collapsing the usual sense of public vs private spaces &#8212; normally, in museums, you can either discuss what you&#8217;re seeing with whoever your with, or at least eavesdrop on other conversations, watch people&#8217;s expressions and body language to get tips about how you should be reacting.  In this exhibit, you&#8217;re completely dependent on your own impressions, which for me turned out to be a bit unnerving.  When you see something alone, how can you ever be sure of what you&#8217;ve really seen?<br />
.<br />
Beyond that, I know the artist had some points to make about &#8220;passive torture&#8221; &#8212; about how simply being alone in a room, deprived of normal sensory experience can be in itself maddening.  I wouldn&#8217;t have made the connection myself, but the booklet they hand out mentions that a couple of the spaces were modeled after rooms at Guantanamo Bay.  To me, the artist&#8217;s use of space to create that feeling of tension and claustrophobia had a lot more impact than if he had simply told us to peer into a cell and posted a note saying, &#8220;this is what guantanamo bay is like.&#8221;<br />
.<br />
There are a few other &#8220;points&#8221; I could make, if you&#8217;re interested, but I think I&#8217;m running the risk of over-explicating.</p>
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		<title>By: maitresse</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9492</link>
		<dc:creator>maitresse</dc:creator>
		<pubDate>Fri, 18 Apr 2008 17:48:38 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9492</guid>
		<description>crazy. crazy crazy crazy.
and more importantly: what is the point?</description>
		<content:encoded><![CDATA[<p>crazy. crazy crazy crazy.<br />
and more importantly: what is the point?</p>
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		<title>By: lapetiteamericaine</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9491</link>
		<dc:creator>lapetiteamericaine</dc:creator>
		<pubDate>Thu, 17 Apr 2008 14:17:30 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9491</guid>
		<description>Oh, *man* I hope I wasn&#039;t being filmed.  The world doesn&#039;t need any further record of my experience in there than this blog post.</description>
		<content:encoded><![CDATA[<p>Oh, *man* I hope I wasn&#8217;t being filmed.  The world doesn&#8217;t need any further record of my experience in there than this blog post.</p>
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		<title>By: Meg</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9490</link>
		<dc:creator>Meg</dc:creator>
		<pubDate>Thu, 17 Apr 2008 14:10:59 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9490</guid>
		<description>This DOES sound terrifying. I half suspect you&#039;re being filmed throughout, and that this will be part 2...</description>
		<content:encoded><![CDATA[<p>This DOES sound terrifying. I half suspect you&#8217;re being filmed throughout, and that this will be part 2&#8230;</p>
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		<title>By: lapetiteamericaine</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9489</link>
		<dc:creator>lapetiteamericaine</dc:creator>
		<pubDate>Thu, 17 Apr 2008 13:51:14 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9489</guid>
		<description>Hmm...  I have to admit, that piece looks a little heavy-handed, what with the chinese food and American Flags and all.  This was a much more austere experience -- and all the more affecting because of it.</description>
		<content:encoded><![CDATA[<p>Hmm&#8230;  I have to admit, that piece looks a little heavy-handed, what with the chinese food and American Flags and all.  This was a much more austere experience &#8212; and all the more affecting because of it.</p>
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		<title>By: Stephanie</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9488</link>
		<dc:creator>Stephanie</dc:creator>
		<pubDate>Thu, 17 Apr 2008 13:44:27 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9488</guid>
		<description>Reminds me of seeing &lt;a href=&quot;http://66.111.110.102/newyork/articles/art/22485/mike-nelson-a-psychic-vacuum&quot; rel=&quot;nofollow&quot;&gt;this &lt;/a&gt; in New York.  An old friend who I ran into on the train said it was like a haunted house, so I was expecting (and kinda hoping) it would be more like the installation you described, but it wasn&#039;t quite as spooky.  Also had to sign a release.</description>
		<content:encoded><![CDATA[<p>Reminds me of seeing <a href="http://66.111.110.102/newyork/articles/art/22485/mike-nelson-a-psychic-vacuum" rel="nofollow">this </a> in New York.  An old friend who I ran into on the train said it was like a haunted house, so I was expecting (and kinda hoping) it would be more like the installation you described, but it wasn&#8217;t quite as spooky.  Also had to sign a release.</p>
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		<title>By: lapetiteamericaine</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9487</link>
		<dc:creator>lapetiteamericaine</dc:creator>
		<pubDate>Thu, 17 Apr 2008 12:27:26 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9487</guid>
		<description>Oh, but now that you&#039;ve read it, it won&#039;t seem as spooky!  Still, it was pretty terrific, you should do it.</description>
		<content:encoded><![CDATA[<p>Oh, but now that you&#8217;ve read it, it won&#8217;t seem as spooky!  Still, it was pretty terrific, you should do it.</p>
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		<title>By: rhino75</title>
		<link>http://lapetiteamericaine.wordpress.com/2008/04/17/suser-duft/#comment-9486</link>
		<dc:creator>rhino75</dc:creator>
		<pubDate>Thu, 17 Apr 2008 12:14:38 +0000</pubDate>
		<guid isPermaLink="false">http://lapetiteamericaine.wordpress.com/?p=133#comment-9486</guid>
		<description>I think this sounds TOTALLY FAB!! Gonna get me some of that. Thanks for a great write-up.</description>
		<content:encoded><![CDATA[<p>I think this sounds TOTALLY FAB!! Gonna get me some of that. Thanks for a great write-up.</p>
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